27 February 2015
Fireborn Flash Fiction Covers Unveiled
One of the things I adore about setting up my own publishing company is seeing it grow. Unlike most publishers I've dealt with, we're not just offering 3 or 6 choices for standardized covers for works too short for personalized covers. We're offering hundreds, in a full range of genres and content. We add more nearly every week. If you're thinking of submitting a short work...or just want to see some nice art, visit our Art Choices page and see what we offer.
25 February 2015
New Release and Coming Soon!
The Consort (The Fantasy Club #1)
$1.99 in ebook
fantasy erotic romance
Available from Fireborn Publishing
Liz is a lonely woman, widowed before
she was properly a bride. Ben was the only man for her. Now he's gone,
and she has been left in agony, both physical and emotional.
Patrice has long-ago decided she's
asexual. Though she tried to play the games to fit in, she's never found
anyone sexually appealing.
When these two friends each receive an invitation to the exclusive Fantasy Club,
they decide to go, just to satisfy their interfering
friends...whichever of them spent the money to send them to the club.
Once there, they learn about the true magic of the club. It's not called
Little Olympus for kicks. But, can even the gods of Olympus make a happily ever after for two lost causes like these?
Fairy Wishes
fantasy sensual romance
$1.99 in ebook
Coming 8 May 2015 from Fireborn Publishing
Eliza is in love with a man beneath her station. Her father
plans for her to marry a nobleman she doesn't love. When Eliza
disappears, Lord Blake wants nothing more than a way to save face and
set his daughter free to her new love.
Enter Melina, a lowborn who prays
to the same fairies Blake does. Whether she chooses to take Eliza's
place marrying Lord Jonathan Evers or she takes Eliza's place turning
the infuriating man down--thus spending her life with the father she
never knew she wanted--one of her wishes may come true. Which one only
the fairies can say for sure.
NEW SUBMISSION CALL!
Deadline: Ongoing through 2015
Title: Seeking works, mainly MM and ménage works, to balance catalog!
Genre: All romance, erotic romance, and erotica genres, especially SF/F/P/H subgenres
Word count: 5K and up, with a specific focus on 5-45K
Publisher: Fireborn Publishing
Acquisitions Editor: Brenna Lyons
EIC: Kathy Kozakewich
Contact: sales@firebornpublishing.com
Payment: 40% net sales on first two works, 50% net on third and further works placed with us
Description: Fireborn is seeking MM and/or ménage works, especially those between 5K and 45K, to balance out our catalog. We won't turn down a MF work or a longer work, but we're flush with them right now, so something different would go over well.
For more information:
http://www.firebornpublishing.com/Submissions.html
http://www.firebornpublishing.com/Authors.html
Be sure to read our author handbooks and our submission requirements.
The things authors should never do when approaching a publisher...
I've met my share of unprofessional authors in my time, and I keep
reminding myself that these authors are in the minority. The purpose of
this discussion is to get input from other authors and publishers on
what authors should NEVER do. Let's make a list to help those who are
coming in and need to learn the ropes. I'll start off with some of the
ones I've seen.
1) Don't fail to look for and follow the publisher's submission guidelines. In addition to causing the publisher extra work to bring your book into line, it shows that you don't work well with a publisher. Rightly or wrongly, you will be judged by your initial contact with the publisher.
2) Don't fail to learn what industry standards are. Even if the publisher doesn't give guidelines, there is a minimum publishers expect for submissions. If you're using tabs or spacing in at the beginning of a paragraph rather than using the indent feature in a word processor, you've already made a bad choice. If you are using an atypical font or font size, you have as well. This is a profession, and you should know the basics of it, as you would in any profession.
3) Don't balk at the contract you've already signed. Your opportunity to want something changed was before you signed it, not afterward. Read, understand, and AGREE with the contract, or don't sign it. Badgering the publisher to make changes you aren't due is not a professional move.
4) Don't refuse reasonable edits. Even if you are writing in vernacular, there is a minimum of readability you have to reach, which may mean toning it down a bit. If you're not writing in vernacular, narrative does not enjoy the loose standards of grammar dialog would. Simple grammar and spelling should not be an editing "issue". Until the editor is trying to make substantial changes, you have nothing to complain about, and then...go through proper channels. Talk to the EIC or Senior Editor.
5) Even if you disagree with the publisher's reason for rejecting your work, do NOT argue with them about it. A rejection isn't personal. By acting so unprofessionally, you are MAKING it personal and demonstrating that you are not a good fit for working with a publisher. Furthermore, do not threaten the publisher, do not invite someone else in to argue with the publisher in your defense (you're not a 12 year-old), and do not tell the publisher he/she doesn't know what he/she is doing or that he/she will be sorry they aren't taking your "type" of work.
Beyond the fact that you've just burned your bridges with that publisher, you may have burned your bridges with other publishers that publisher is friends with. I'm not talking blackballing here, but when one publisher lets another know about the rough one they just dealt with, out of a desire to protect the second publisher's own company, he or she may ask the initial publisher to share the author's name. Out of professional courtesy, that's going to happen. Publishing, especially indie publishing of like genres, is a small group and many know each other. NEVER forget that.
6) DO NOT blame publishers for things beyond their control. When Amazon and the other distribution channels set up rules for what content they wouldn't take, books that were contracted in good faith and distributed were suddenly yanked from certain distribution channels. A surprising number of authors blamed the publishers for that turn of events, when the truth was that we had no control over it.
7) Never make your grievance public... Wait, let's rephrase that. IF the publisher is breaking contract, feel free to make a big deal out of it. If you just feel the publisher is wrong, ala #5 or #6, keep it to yourself. By screaming in a public forum about it and blaming the publisher, the author makes a fool of himself/herself and further alienates industry members who might have wanted to work with that author, until the outburst.
8) Be concise in your email correspondence. When you email the publisher, use your full pen name, name the book you are inquiring about, and be precise in what your question is. A publisher with dozens or hundreds of authors on board may have more than one with your first name, you may have more than one book with the publisher, and just asking "What's up with my book?" does not tell the publisher what the issue is, forcing the publisher to either ask you and waste time waiting for an answer or spend time trying to figure out your cryptic question while he/she could be doing something else?
Go to the direct person you need to speak to, when possible. If you send an email about your cover to your editor, the editor can't do anything but forward it to someone who might know, and that person might be an administrator who THEN has to forward it to the art director or cover artist. If you ask the art director or your cover artist a question directly, you have cut two email forwards off your wait time AND not wasted everyone else's time as well.
Use proper English (or whatever language you might be conversing in). You are a professional author. You deal with words. A publisher should never get an email from you full of IM or text speak. I'm not saying to fully edit every email. There is no editor in email, of course. I am saying that full sentences are appreciated.
9) READ your contract. I know I said that earlier, but this one is important. If a question is answered in the contract, do not email the publisher, asking the question. In fact, read all available information the publisher offers to authors, including submissions guidelines, handbooks, and so forth. You will feel more at ease and won't waste time on questions you should already know the answers to.
10) When a publisher answers a question for you, DO NOT continue to ask the same question. Moreover, DO NOT go from person to person in the company, asking the same question and expecting a different answer to it. Chances are, the company has already set standards/policy for what you are asking, and the answer isn't going to change, but you are going to wear out your welcome this way.
11) Be careful with how you compare companies. Demanding changes because you like how another publisher does something is only going to cause frustration on both sides. If it's important enough to you to be upset by it, consider giving your next book to the other publisher. It's okay to say "Have you considered...?", but what the publisher ultimately does is based on their comfort zones, not those of individual authors with the company.
Additionally, the publishers in question have a certain audience they have built up. That relationship comes with certain expectations. In specific, the readers know what to expect from the publisher and their offerings. If you submit to a publisher, and they tell you they tell you it doesn't fit, believe them. Don't argue it. Don't insult them for not taking "your" thing. It's not the right publisher for you, and that's not personal. Insulting them IS personal. No publisher "owes" it to you to accept your work. Move on to find a better fit for you. Moreover, nothing will get you put in the "never accept from this hothead" pile faster than that.
So...what are your additions to the list?
1) Don't fail to look for and follow the publisher's submission guidelines. In addition to causing the publisher extra work to bring your book into line, it shows that you don't work well with a publisher. Rightly or wrongly, you will be judged by your initial contact with the publisher.
2) Don't fail to learn what industry standards are. Even if the publisher doesn't give guidelines, there is a minimum publishers expect for submissions. If you're using tabs or spacing in at the beginning of a paragraph rather than using the indent feature in a word processor, you've already made a bad choice. If you are using an atypical font or font size, you have as well. This is a profession, and you should know the basics of it, as you would in any profession.
3) Don't balk at the contract you've already signed. Your opportunity to want something changed was before you signed it, not afterward. Read, understand, and AGREE with the contract, or don't sign it. Badgering the publisher to make changes you aren't due is not a professional move.
4) Don't refuse reasonable edits. Even if you are writing in vernacular, there is a minimum of readability you have to reach, which may mean toning it down a bit. If you're not writing in vernacular, narrative does not enjoy the loose standards of grammar dialog would. Simple grammar and spelling should not be an editing "issue". Until the editor is trying to make substantial changes, you have nothing to complain about, and then...go through proper channels. Talk to the EIC or Senior Editor.
5) Even if you disagree with the publisher's reason for rejecting your work, do NOT argue with them about it. A rejection isn't personal. By acting so unprofessionally, you are MAKING it personal and demonstrating that you are not a good fit for working with a publisher. Furthermore, do not threaten the publisher, do not invite someone else in to argue with the publisher in your defense (you're not a 12 year-old), and do not tell the publisher he/she doesn't know what he/she is doing or that he/she will be sorry they aren't taking your "type" of work.
Beyond the fact that you've just burned your bridges with that publisher, you may have burned your bridges with other publishers that publisher is friends with. I'm not talking blackballing here, but when one publisher lets another know about the rough one they just dealt with, out of a desire to protect the second publisher's own company, he or she may ask the initial publisher to share the author's name. Out of professional courtesy, that's going to happen. Publishing, especially indie publishing of like genres, is a small group and many know each other. NEVER forget that.
6) DO NOT blame publishers for things beyond their control. When Amazon and the other distribution channels set up rules for what content they wouldn't take, books that were contracted in good faith and distributed were suddenly yanked from certain distribution channels. A surprising number of authors blamed the publishers for that turn of events, when the truth was that we had no control over it.
7) Never make your grievance public... Wait, let's rephrase that. IF the publisher is breaking contract, feel free to make a big deal out of it. If you just feel the publisher is wrong, ala #5 or #6, keep it to yourself. By screaming in a public forum about it and blaming the publisher, the author makes a fool of himself/herself and further alienates industry members who might have wanted to work with that author, until the outburst.
8) Be concise in your email correspondence. When you email the publisher, use your full pen name, name the book you are inquiring about, and be precise in what your question is. A publisher with dozens or hundreds of authors on board may have more than one with your first name, you may have more than one book with the publisher, and just asking "What's up with my book?" does not tell the publisher what the issue is, forcing the publisher to either ask you and waste time waiting for an answer or spend time trying to figure out your cryptic question while he/she could be doing something else?
Go to the direct person you need to speak to, when possible. If you send an email about your cover to your editor, the editor can't do anything but forward it to someone who might know, and that person might be an administrator who THEN has to forward it to the art director or cover artist. If you ask the art director or your cover artist a question directly, you have cut two email forwards off your wait time AND not wasted everyone else's time as well.
Use proper English (or whatever language you might be conversing in). You are a professional author. You deal with words. A publisher should never get an email from you full of IM or text speak. I'm not saying to fully edit every email. There is no editor in email, of course. I am saying that full sentences are appreciated.
9) READ your contract. I know I said that earlier, but this one is important. If a question is answered in the contract, do not email the publisher, asking the question. In fact, read all available information the publisher offers to authors, including submissions guidelines, handbooks, and so forth. You will feel more at ease and won't waste time on questions you should already know the answers to.
10) When a publisher answers a question for you, DO NOT continue to ask the same question. Moreover, DO NOT go from person to person in the company, asking the same question and expecting a different answer to it. Chances are, the company has already set standards/policy for what you are asking, and the answer isn't going to change, but you are going to wear out your welcome this way.
11) Be careful with how you compare companies. Demanding changes because you like how another publisher does something is only going to cause frustration on both sides. If it's important enough to you to be upset by it, consider giving your next book to the other publisher. It's okay to say "Have you considered...?", but what the publisher ultimately does is based on their comfort zones, not those of individual authors with the company.
Additionally, the publishers in question have a certain audience they have built up. That relationship comes with certain expectations. In specific, the readers know what to expect from the publisher and their offerings. If you submit to a publisher, and they tell you they tell you it doesn't fit, believe them. Don't argue it. Don't insult them for not taking "your" thing. It's not the right publisher for you, and that's not personal. Insulting them IS personal. No publisher "owes" it to you to accept your work. Move on to find a better fit for you. Moreover, nothing will get you put in the "never accept from this hothead" pile faster than that.
So...what are your additions to the list?
Subscribe to:
Posts (Atom)