Censorship, Banning, and Burning

It's September, which means it's Banned Book Week. It's a month that avid readers and authors often get riled up, and we have a lot to get riled up about this year, I suppose.

In current events, there's the whole Humble, TX fiasco. For those unfamiliar with the timeline, I invite you to Maya Reynolds' blog, where she talks about the controversy and the ultimate cancellation of the event. So, you have a librarian with her panties in a wad about books she's "heard" contain sex and drugs (apparently doesn't care that they are cautionary tales about the bad that comes from them) getting a bunch of parents that have never READ the books upset, and a weak school district that rolls over and plays dead to DISinvite the author already invited to the event. When the other authors rise up and protest, instead of admitting they are a bunch of idiots/bigots and eating crow, they cancel the kids' event, punishing the kids for their parents' own bias. Typical...and upsetting to me, as both an author and a parent.

But, does it mean anything outside of Humble, TX? Not really, besides everyone pointing, shaking their heads, and making comments...on both sides of the issue. I know my way isn’t the only way to look at it.

Well, it does make ONE difference. I'll bet sales of Ellen's books jump for a while during the controversy.

I've talked about this before. Banning and burning really only worked well before mass production of books and the internet. These days, if a locality bans something, people go on the internet and purchase it anyway. In fact, banning/burning gives the book and author publicity (here's my five minutes' worth for the lovely Ellen!), and it fuels interest and tempers. Some people will purchase the book to see if it's really that bad. Some will purchase it just because someone else banned it or burned it, to show their protest of banning or burning (even if they don't intend to read the book). Oh, and to burn the book, you have to BUY the copies you burn, which certainly isn't hurting the author, publisher, or agent either. Unless you want to create a mob to break in and steal them to burn, in which case, you're breaking a lot of laws along the way...and will probably still have to pay for the books after the court case...as well as damages to the shops you stole from and people you hurt. And insurance companies might have to pick up a bit of the bill, which raises everyone's rates a bit... I could go into more detail, but you get the idea.

So, what is my opinion of censorship, book banning, and book burning? I'd be glad to share it.

I live in the US. When the Constitution was drafted, the Bill of Rights (which are really privileges we bestowed upon ourselves and not really "inalienable rights" like we talked about in the Declaration of Independence...life, liberty, and the pursuit of happiness...I'd add the right to think as you will to that)... Little side note? The ORIGINAL drafts of the Declaration had "the right to own land" instead of "pursuit of happiness," but the idea of people clamoring to own land currently held by others was a little too scary for them.

Back to the subject... The Bill of Rights includes freedom of speech. Not everyone reading this blog will have this privilege in their laws, and I won’t pretend it’s so, but it does color MY perceptions of the issue before us.

Now, every privilege comes with a responsibility to use it wisely. I wouldn't argue that. Yelling fire in the theater is not a responsible use of speech and should be punished. Going on someone else's property to exercise your "free speech" is not legal. Using it to threaten someone is not legal. Using it to hurt someone is not legal. Nor should any of this be legal, IMO.

Beyond that, speech is only free if that freedom is applied to everyone. Anyone else here see An American President? The movie had it right. Free speech means standing there and listening to someone advocate, at the top of his lungs, what I have spent a lifetime fighting at the top of mine. If he doesn't have the right to express his opinion on the matter, I am not truly free. For that reason, censorship should always be avoided.

In the same way, just because I find a book offensive does not mean someone else will not see benefit in it. Therefore, my ability to read what I want to read comes with the reality that others have the same ability to write and read what they find useful to them.

Mind you, censorship is not always the same thing as banning books. I don't believe books should EVER be banned from public libraries. My two cents on the matter. Companies have the right to decide what they will sell. I don't argue it. While I personally think Wal-Mart are complete idiots when it comes to books they choose to ban sometimes, they are allowed to do it to the comfort level of owners/stockholders. But public libraries are not companies owned by stockholders. We all support them with our tax money. To anyone that says a town library should ban a book because it offends them, I say, “Only if I can ban the ones of yours that offend me.” Turnabout and all. If they want their books, they put up with mine being shelved in the next aisle over. That’s true freedom.

School libraries should employ some common sense. If a book would be something beyond the emotional and intellectual level of most of the children in the school, by all means don't carry it on the shelves of that school. If it's not appropriate for a 2nd grader but is appropriate for 5th, have sections of the library that each age group is allowed to use.

But don't tell me that my advanced readers cannot check out a book they are more than capable of reading, because some other parent/s complained that they found the book offensive and didn't want their children "exposed" to it. It is up to each individual parent to make decisions about what their children should read and can manage to read and understand. It is up to parents to prepare their children for the world. Beyond the fact that it does no good to try and keep children blind and deaf to the world at large, how is doing that preparing children for the world they must work in and live in? It's not.

I'm not telling anyone else how to raise their children, and I certainly don't want them telling me how to raise mine. That's the core of this issue. I'm taking responsibility, as a parent, for guiding my children, teaching them my values, using books as both good and bad examples for them... I'm taking responsibility, as a parent, for knowing what my children are reading, watching, surfing on the internet, answering their questions, engaging them in conversation... I signed on to be a parent by having children. That's my job.

I've gone head to head with a UBS owner that tried to tell my (then) 12 y/o that Gregory McGuire's books were too adult for her. I've gone head to head with school librarians that wanted to limit my (then) advanced reader 3rd grader (reading at a 7th grade level) to books for her age level, because a couple of other parents had complained about their children reading "inappropriate material." I went head to head with my (then) 6th grader's "advanced" English teacher and the administration and told them: "She's teaching Mrs. Frisbee and the Rats of NIMH. At home, he's reading The Moon is a Harsh Mistress and discussing the sociological implications of a prison planet. If she thinks he's not following along, it's because he's BORED."

I am something of Auntie Mame. I believe (within reason) in letting the child read anything within his/her ability to emotionally and intellectually understand and to discuss it with him/her. Not every parent is prepared to take that active an interest in their children. Beyond that, my husband and I "assign" our children to read books that will broaden their horizons. In addition to the books they read for pleasure, our children are handed books like 1984, Fahrenheit 451, Animal Farm, Watership Down, and A Clockwork Orange and discuss the books with us after reading them. As a result, my 8th grader's first book report of the year was on V for Vendetta. He enjoys the book and wanted to do the report on it. My 10th grader is currently reading Sherrilyn Kenyon's newest, but the next up on her desk is A Handmaid's Tale. When she entered high school, she had already read some of the advanced reading books for the 11th and 12th grade classes.

Parents that want to ban books are doing one of a few things...or more than one. They are abdicating responsibility for policing their children by trying to narrow what the children have available to them. They are trying to push their belief systems onto other families by saying: "It offends me, so it SHOULD offend everyone. Take it away, so none of us will have to be offended." They are judging other parents as less than them for not being offended or even encouraging their children to learn as much as possible and be well-rounded individuals with (gasp) tolerance for the beliefs of others.

I completely understand the age levels and maturity levels of individual children and groups of children (in general) being taken into account when stocking a school library. But I do not believe in banning books, as a general rule.

Moreso with adults. If a particular book offends you or is not to your tastes, don't buy it to read it and don't take it out of the library to read. But don't try to take away someone else's reading material. Along with the free speech to write the books is the inherent privilege to access those books and enjoy or learn from them. Enough said.

Burning books is abhorrent to me, personally. I wouldn't do it, but I respect the fact that, with a burn permit, anyone can burn anything they darned well choose to and that they own, on a small scale. I'll get back to that. Burning or burning in effigy (which would actually let people "burn" what they don't approve of without purchasing the product and supporting the industry they claim to hate) is a long and established manner of protest. Who am I to say it's not effective? It has a galvanizing effect.

But, I would never support the government doing it. The government engaging in banning and burning makes it synonymous with censorship. I never support censorship.

Why being paid in the indie way works for you...and against you!

Some of my NY conglomerate published friends do not really understand the way indie press pays on net (read this as your royalty rate applied to the actual amount received for the book from third party distribution sites). For someone that makes the same percentage of the cover price, no matter where the book sells or what price it sells at, it seems counterproductive to use a net contract, but the contracts both work for us and against us.

In most cases, the indie net contract works for authors. We get a much higher percentage of ebook sales than NY conglomerate authors do, in general, and a much higher percentage of ebooks sold from the publisher site than we do with any given distribution channel. The NY conglomerate authors will make the same percentage, no matter where the book sells and a lower percentage than indie authors make, in general. It's a no-brainer to see why the net contact is appealing to us.

The publishers (depending on which one I'm dealing with) give me between 30% and 60% of cover price on all sales from the publisher site. But I get that same percentage (or slightly higher*) on the amount they receive from the distribution channel on third party sales. So, if it's a $6 ebook, and I have a 50% royalty rate, I make $3 on sales from the publisher site but may only make $1.05 to $1.50 to $2.06 on the same book selling from a third party site (35% to 50% to 70% (less 10 cent "delivery charge" on the latter...thank you Amazon) remitted to the publisher and then my 50% royalty rate). The highest royalty rate is currently Smashwords, but that's assuming it sells directly from Smashwords (few books do) and not via a channel Smashwords is the aggregator for...and assuming you choose not to opt into paying people that send business to your book/s.

Now, when does it work against us? When the contract between the publisher and the distribution channel allows the distribution channel to play games with sale price and pass that along to us!

I'd propose that Amazon and the other distribution channels should be FORCED to sign agreements with us that say the publisher gets a set rate (a set dollar amount) on every ebook sold, and if they want to play price games and loss leaders, they do so out of THEIR portion of the book sale and not ours...just as I understand they do with paper books. Right now, that's not the case. So that works against us.

*Some publishers are nice in that they give a higher percentage rate from distribution than from the home site. At one, I get 40% on publisher site sales, but they raise it to 50% from distribution channels, so that $6 book nets me $2.40 from the publisher's home site but that same $1.05 or $1.50 or $2.06 from distribution channels...assuming the distributors DON'T have undercutting sales with each other and further cut my royalty rate by up to 50% trying to outdo each other's sales, dropping me to $.53 or $.75 or $1.03 per book sold, for THEIR greed, their attempts to monopolize the market. And this happens far more often than you might believe.

See why I say we need to make them eat that instead of us? I have nothing against a free market and sales for readers, but this sort of free market hurts the authors and publishers instead of the distribution channel choosing to do it. But when the Big 6 pushed for contracts that said Amazon wasn't allowed to hold sale prices, they were accused of price fixing and are being investigated for antitrust/monopoly issues. I can see why they might say that, but... The obvious answer is to make the distribution channels eat the sale. That works for me. It might not work for NY conglomerate, since they are all about protecting the "price point."

FABULOUS new contest for romance and erom authors!

What is it? All Romance eBook's Just One Bite Short Story Contest. If you will have a 2500-3000 word romance or erom story hanging around in September (submissions run the 1st to the 28th) that has never been published before, consider entering ARe's contest. No entry fee. $1000 grand prize. Lesser prizes for other winners, including an iTouch and gift certificates for ebooks... And bragging rights for being chosen a semifinalist/finalist. No matter how many entries they get, they will be posting 32 as semi-finalists on Oct 1. From there, there will be 5 rounds of reader voting to whittle them down to the grand prize winner. Even being shown on Oct 1 means extra exposure with readers and bragging rights. Of course, if you make it to at least the 32 slots, you are agreeing to let ARe publish the story as a free read on their site. Since many of us have ebooks on ARe, this works to your advantage, and that's the reason I offer so many free reads there personally. Just a thought for a little extra exposure and promo hype.

http://www.allromanceebooks.com/submissions.html

How will the industry change?

A lot of people think ebook will replace mass market, and they are using Dorchester's decision as an example. That's not feasible, IMO...not in the near future, but I've said why that is many times. A more even split between ebook and print is in the works, surely, but not the death of print...and not the death of mass market to ebook. I won't bore long term readers with a recitation of it again, but I will give an in-depth overview of my vision of the coming future (within the next two decades or a little more, I would estimate, but maybe as far out as four or five decades).

Yes, the offset printing has to disappear. It's not the mass market/pulp paper books that have to disappear. It's the process of making bulk orders and stripping for returns (or even allowing returns) that we have to lose. It's too much waste: paper, gas for shipping, investment that doesn't get a return... You can already do POD printing and choose pulp paper, which can reduce costs a bit. POD does NOT mean trade paperback. It does not mean certain sizes. I have POD-printed books that are 8.5X11 trade, and I have them in both pulp paper and perfect binding and in comic paper with saddle stitch binding. The possibilities are nearly endless. The term doesn't even mean paperback. There already exists an option for hard bound books (not the greatest hardbound but hard) in POD.

Now, imagine what I've been imagining for years. Big stores like Borders would have the following to replace the broken offset system:

3-6 POD machines in the store, hooked up to central databases like LSI and Booksurge and even CreateSpace that we already use. They could even be set up so that a couple do mass market paper books, some do hard bound, some do trade...

The system would be fully integrated. Customers could order books remotely to be printed AT the store and picked up there while they were out later in the day. Customers could order from home/work and have the books shipped to them. Customers could use in-store computers (like Borders already has) to find books by author, title, series, keyword, publication date, publisher...much like we do now. From that kiosk, customers could order books that are not on the shelves to be printed and waiting for them at the front. They could even prepay for them at the kiosk, if they want to cut down the wait.

There would be books on the shelves, but less. They'd have some classics, board books and such that POD can't do...yet, proven bestsellers, maybe a few copies of new releases, do-dads... The rest would be POD.

When a book is ordered from a kiosk or home computer, a print order is put in for it and delivered to the front desk with a picker matching them to the order slip and preparing them for pick-up. The kiosk can even give an estimated time for pick-up to the customer, who can then go browse and perhaps pick up another book or two while he/she waits. The order slip can tell the picker if the order is intended for a customer that is IN store or coming soon to the store from another location.

When a book is taken from the shelves and purchased, the computer will have one of two orders. Either it will automatically send an order to reprint and shelve to the printer. Or it will not, because it's an older book that is being allowed to leave the shelves.

Will it take some getting used to for readers? Yes, but it has distinct advantages.

1. Books will never be out of stock. NO book in the system will ever be out of stock. It just means a wait for the printer to spit it out. Imagine going to the store, any time of day, no matter how old the book is (as long as it's still in print somewhere), and being able to purchase a legal copy on the spot.

2. It puts NY conglomerate and indie on a MUCH more even playing field. I know NY doesn't want that, but readers do. Yes, only NY conglomerate will be taking up that shelf space most likely, but as readers become more adept at searching for (say) vampire or I/R or M/M in the computer system, they will find indie books.

3. Less waste. Not only in the physical wastes of printing books and investing in that printing that may not sell...but also in manpower. You will have a certain amount of trade-off: maintenance for the machines and pickers in the place of some of the stockers. But you'll need less people to run the store, and more will be able to interact with customers and introduce them to the system.

From a more industry-wide standpoint, you will lose people from the offset printing industry but GAIN people in the production and shipping of the machines. You won't lose an incredible amount of people from the shipping industry on the book side, since you still have to get the paper and cover stock and such to the POD sites. The only ones that will have considerably less work will be the trash men, and let's face it...they have enough work already. Hang on...I'm going to get back to this in a minute.

4. A fully integrated system for home and store. Borders is CLOSE now, but it's still awkward. I am SURE one of the books...or two on my daughter's last order were in the store. We asked for store delivery, but they were not picked from the store shelves. They were shipped to the store as if they weren't there, which is highly inefficient. And back to this...

5. Delivery could be streamlined. We'll assume every book is coming from a store site instead of a warehouse, with this system. People can pick up books on site, but if they want delivery, that can be streamlined into only using a delivery service like UPS or USPS for remote locations and depending on an in-house delivery man for local deliveries, which the computer could figure out, based on store locations and customer address. Less time to get books AND the store can make it worth their while and still have next day delivery.

Say the system has three dozen orders that are within a twenty-mile radius of store 123 on a particular day. You send out a single delivery man with a list separated by cities the orders are from. You charge each customer either a flat-rate delivery fee ($5 per order maybe) or by the number of miles from the store they are and you've more than covered your truck, driver, and gas/maintenance.

Yes, I think ebooks will play a big role, but I really believe a lot of people out there are still tied to paper. Those people will demand paper, but who says it has to be the old offset system delivering it? It doesn't. And if the new system is more advantageous to them, why would readers complain? They won't. The people that will complain will be the book stores that have to implement it. They can't play the returns game. They have to actually PAY for what they sell. And they have to make the initial investment to get it running.

My impressions of the EPICon 2011 site!

I went up with Lisa to visit the hotel and convention center at Colonial Williamsburg, in preparation for EPICon 2011 in March. What a joy that was! No seriously...no snark intended at all. Hang on for all the juicy details.

The first thing to keep in mind about the site is that nearly everything you need is fairly close together. It's like being on a college campus, but you're not running from building A to building Z. Nearly everything you need will be in buildings A-C.

Out the front entrance to the Woodlands Hotel and to the left, it's just a few dozen yards to the visitors' center. That is an experience in itself. If you've purchased the historic district pass, that's where you catch the shuttle to the historic district and other resort stops. For those with vehicles, you can also drive to many of the entry points. You can also choose to walk along the path from the side door of the visitors' center into the historic district. And your pass to the district also lets you see the historic film at the visitors' center.

You can also reach the visitors' center out the back door of the hotel, down the scenic walk (which will be LESS scenic in March, when it's not fully spring yet, but still something to see). Hang on for more information about the scenic walk and the visitors' center later.

That same back exit from the hotel, puts you just a stone's throw from the convention center building. If you look at the map, you can see that it's less than a city block down the back path.

The convention center is stunning. Nearly every window overlooks the trees and gardens. This is a cross section (about a quarter) of one of the two banquet rooms. You may not be able to see the vaulted ceilings in the picture, since it's a little dark.

I absolutely fell in love with this annex room to the banquet room. The circular light fixture is a work of art that rivals the actual paintings and murals on the walls.

This is the serving nook of the banquet room. Remember that I mentioned murals on the wall? You can see part of one on the right, and the left are huge mirrors.

The lobby is no less impressive than the rest. That's a Baby Grande at the top of the staircase to the lower level classrooms and banquet room.

And, of course, no proper lobby on this resort would be complete without a fireplace. I'm not sure if it will be lit when we're there, but it's a glorious sitting room, complete with benches around the perimeter. Back at the hotel, there are three separate conversation nooks with chairs that match these benches that I'm sure we'll be making use of. That's also where you'll find the gorgeous restaurant where the continental breakfast is served.

I told you about the scenic paths between the buildings. Here are just a few shots of them.

Between the hotel and the visitor center, along the scenic path, is Huzzah! Restaurant. Huzzah! is only open for dinner and serves sandwiches, stew and soup, pizza, and a few other little things...including wine and beer. If you want a drink or someone in your party is not joining us for meals, that's one possible destination for dinner. Of course, if you've purchased the historic district pass, you can head into the district and purchase dinner there. Or you can grab a sandwich, soda or water, and baked goods at the little cafe in the visitor center. WONDERFUL sourdough bread! I'll have more updates about dining and shopping coming soon.

The standard rooms aren't cramped at all. The one Lisa and I visited had two double beds. It also had an easy chair, a table with two plush chairs, a TV hutch, a coffee maker...

Of course, the suites are even more impressive. The one we visited had a king-sized bed in the bedroom, TV hutch, and a single plush chair in there, which can be moved to the sitting area for more company out there. In addition, the central area contains a kitchenette, shelves, and bathroom.

The sitting area has a coffee table, two plus chairs, lamps and end tables, and a sofa that folds out into another bed...oh...and another TV hutch.

One of my favorite places is the open area behind the visitor center. This picture shows the stairs coming down from the scenic walk, complete with gardens and waterfall between. In the bottom right of this picture is the edge of a fabulous map table.

Inside the visitor center, you can also find a book store that sells reference materials about the time period and the area (we got to meet an author signing his historical novels while we were there!), a huge shop, information about the historic district, shows, tours, and so forth...and costume rental for any children you might have with you.

I really want to mention that costume rental again. Why? It has some perks. In addition to the kids getting to play dress up ($20 rental for the day for the clothing. You have to purchase hats, but you can do so at a discount. There is a $75 security deposit, but if you return it on time, they take that off the card.)... In addition, they give the kids a list of things they can do with the staff in the historic district...like churning butter or learning about weaving. If you're bringing along younger kids, that's a fun, interactive thing for them to do.

Remember, you still have time to register for EPICon at http://www.epicon-conference.com/

Memories...No, Not Cats!

It's rather amazing to me how fickle memory is. The mind shies from memories that it associates with unpleasantness or danger, sometimes leaving a panic or unease without context to taunt one...or it obsesses over those same memories, torturing one with things better left forgotten. It stores snips of happy memories. Why are there only snips that can be drawn out and savored? Why not keep snips of the bad and access to volumes of the good? Had I designed the system, that would have been my programming...or at least something coequal.

So the question of the day is about our earliest memories. Mine is of sitting on a porch that has a railing, looking down at a yard in what appears to be late spring/early summer, based on the flowers. My parents have dated this memory for me as somewhere between when I was 8 months and 10 months old. No kidding. They base that on it being warm enough for me to sit outside and the fact that such a porch and yard only existed at the house we lived in until I turned 10 months old. Seems like an odd thing to remember snips of, but I'll assume I was happy at the time, so it got stored away in the back of the mind.

Some things I remember are better forgotten. I won't shy from that idea. There's a reason I write dark fiction. At times, the idea of ETERNAL SUNSHINE OF THE SPOTLESS MIND sounds pretty good to me. Not to get rid of little things like the ex-boyfriend, but to eradicate years of abuse and neglect. Then again, those experiences are part of who I am. If I eradicated them, would I still be me? Or would I be some smiling poppet that didn't have my drive and heart? Would I lay myself open to further pain, if I didn't remember the old? Would I forget to protect myself? On second thought, the movie had the right idea. It's better to leave the good and the bad.

Things I wish I could claim to remember, I can't. I'd love to remember the first story I created. Sadly, that is not saved among the snips...at least as far as I've been able to access. I have writing saved from the age of 7 up, sporadically. I know I was writing then, but the earliest memories I have of practicing my craft come around the age of 10.

Memory may be inconstant, but it's worth a trip down the lane, once in a while. Who knows what side paths you might stumble upon and recover those precious snips?

NEW BLOG EVENT! Friday Five

Every week on Friday, I'm going to ask a question, and people can give their top five list in answer to it.

This week's question...

What are the top five things you use to procrastinate when you should be writing?

Mine would be...

1. eMail! I tend to obsess over email when I'm dragging feet on a writing project...opening it a couple times an hour. I do it so badly that I sometimes turn off my network to make it a less appealing option. Instead of a two-button action, it takes me minutes to get back online, so it's no longer worth it as often.

2. Facebook! See the description above.

3. The kids. When I'm hot on a writing project, being involved in every facet of their days seems less pressing than when I don't really want to be typing or writing in a notebook. I love my kids and spend time with them every day, but I also usually take my work time as well. On days when I don't want to work, that is a very convenient reason for me not to do it. "We haven't had a family game day in a while. Break out the games. Let's take an outing."

4. The house. Seriously? Me? I loathe housework (love cooking!), but when I don't want to be writing for some reason, I am Mrs. Cleaver. My husband will come home to freshly scrubbed floors, dusting done, three loads of laundry done in a day when I typically do one or two...or -- Heavens forbid! -- an actual trip to the laundrymat to do all of it at once, fold, and put away.

5. Any other writing project in existence but the one I should be finishing.

CONTEST FOR THE DAY!

My web site is at 24,989 visitors, and I really want to see it over 25,000. Here's the contest. Go to my site, go through the gateway, and note the number on the counter at the bottom of the page while you're there. Send it to me by tomorrow night, and I'll enter you to win PDF of choice from me. Whichever book you want... from whichever publisher.

LEGALESE: By entering, you are verifying that you are adult in your country of origin and allowed to receive erotic romance content.

Come on out and help me get those last 11 visits today!

EPICon 2011 Classes and Panels Call

EPICon™ 2011 – Instructors, Panellists, and Class Proposals Needed

EPIC™ (Electronically Published Internet Connection) needs classes and panels for EPICon™ 2011.

• Do you have a subject you’re knowledgeable about?
• Have a desire to teach but don’t have time for long-term commitment?
• Do you have an idea for a class that you'd like to see offered?
• Is there a topic that you want more information about but don't know where to find it?
• Want to learn more about publishing, writing, or just be around interesting people talking about interesting things?

If you answered “yes” to any of these questions, join us in beautiful Colonial Williamsburg, Virginia on March 10th-13th, 2011 and volunteer to teach a class.

Uncomfortable with teaching a class? Then volunteer to sit on a panel or request a class, and we’ll see what we can do about fulfilling that request.

Submit your suggestions, class proposals, ideas for panel discussions and for potential speakers to Ashley and Elizabeth at EpiConClassCoordinator(at)gmail(dot)com. Be sure to include what you’re interested in (top 3 choices for classes or panels) and we’ll get back to you as soon as possible.

For more information on the conference, please visit this link.

Elizabeth Schechter
Ashley Christman
EPICon™ 2011 Class Track Coordinators
EpiConClassCoordinator(at)gmail(dot)com
http://www.epicon-conference.com/

# # #
EPIC – Electronically Published Internet Connection™ was established in 1997 as a professional organization for published and contracted eBook and print authors. EPIC™’s goal is to provide a strong voice for electronic publishing—the major publishing marketplace of the future. EPIC™ is non-profit and tax-exempt under 501(c)6.

Another new review!

"Tygers is a real whodunit. It took everything I had to keep from cheating by turning to the back to see who won. Goodness, Brenna Lyons certainly knows how to put a reader on the edge wondering if they would rather jump or keep reading to experience the full impact of such a wonderfully written suspense novel. The one aspect that made the experience truly unique are the pictures scattered throughout the book to make for a one of kind romance story rarely experienced outside of manga novels. I would encourage you to pick up Tygers, and I challenge anyone to read the whole book; every page; no skipping allowed." Reviewed by Delane for Coffee Time Romance & More 5 Cups!